The envelopes and LFOs are incredibly detailed and versatile. Modulation sources are assigned in a straightforward mod matrix, and comprise three envelopes, two LFOs, and Note, Velocity, Pitchbend, Aftertouch and Mod Wheel MIDI signals. The dual filter can be set up for serial, parallel or split routing (Osc 1 to Filter 1, Osc 2 to Filter 2, Sub to both), and incorporates all the fabulous analogue filter models introduced in Live 9.5. Up to eight unison voices are on tap as well, with six diverse modes for randomising, phase sync and more. As well as movement and modulation of the wavetable index, other oscillator-related options include FM, PWM, sync and wave folding. Wavetable’s sizeable library of wavetables is divided into 11 categories (Basics, Distortion, Formant, Vintage, etc), and viewed in linear top-to- bottom mode or polar mode, the second representing the wavetable as a loop, with time running clockwise. Wavetable is Ableton’s most ambitious synthesizer yet, featuring two wavetable oscillators, a sub oscillator, two filters, all the expected LFOs and envelopes, and the ability to expand its UI into the main window for close-up editing, á la Sampler. The morphable noise-generating algorithm is particularly tasty. Gate and Ducking gate the wet signal with up to 3s of Release time and duck it when the dry input is present, while Noise and Wobble emulate the background noise and hum, and timing fluctuations of old analogue delay units. The Character tab contains four further processors. The Echo Tunnel graphic gives at-a-glance visualisation of delay timings and feedback amount in totally intuitive style.ĭelay time and filter cutoff frequency are modulated by a stereo LFO (six waveforms 0.01- 40Hz, plus a x4 option) with phase offset, and/or an envelope follower. Featuring Stereo, Ping Pong and Mid/Side modes, it offers independent offset of its two channels by up to 33% either way (ideal for stereo widening), low- and high-pass filters, optional distortion, an onboard reverb (positionable Pre-delay, Post- delay or in the Feedback circuit), and stereo widening. Intel Core i5 processor or faster recommended.Live 10’s headline new device might be the Wavetable synth (see ’Tabling motions), but the Echo effect is an instant classic. System Requirements and Technical Details Drum Rack, Impulse, and Simpler instruments.Multitrack recording up to 32-bit / 192 kHz.New Glue Compressor and EQ Eight equalizer.Professional production software in which practically everything is possible.Or sing a piece yourself, play a melody or drum a beat, and make it a MIDI clip. Accelerate how to remix by using the harmony-to-midi to get notes and chords from samples. Transform your favorite drum break with the drums-to-midi feature, and use it with your sounds. Live’s studio effects – Compressor, Gate, and EQ Eight are adapted with new displays, improved controls, and improved sound. For that reason, this digital audio workstation earns the best pick for Live Performance.Ībleton Live 11 Suite’s new Glue Compressor (made in collaboration with Cytomic) is based on a classic bus compressor from the 80s for its superb sound and easy handling. It also includes Ableton Link so that you can collaborate with other musicians on the same project from multiple devices. It has an extensive sound library and a long list of plug-ins, and it’s on par with industry standards for cost and level of service.Ībleton Live 11 Suite has all the features needed for producing music and supporting musicians during a live performance. Ableton Live Suite provides a stable DAW ideal for creatives looking to experiment and build audio projects. This program is a powerful digital audio workstation for live performances. Ableton Live Suite has a straightforward and intuitive user interface that offers top-quality audio and real-time editing functions. It has everything to do with music and is suitable for composing, recording, production, remixing, and live performance.
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